|What treasures lie within?|
It wasn't until Monday afternoon that I could begin opening the boxes to see the treasures. There was very little yuckiness -- one exception being craft burlap. It smells kind of dusty/musty even when it's new and does not improve in storage. In addition to fabric there were many, many, many spools of thread, some old (wooden spools) and a lot from the 70's/89's (white plastic spools). Lots of Wright's and Talon bias tape and seam binding (1970's -- poly and poly/cotton). Lots of straight pins, which I pitched. (Pins can corrode -- keeping them is not worth the risk of infection.) Lots and lots of buttons.
Lillian went to Mexico. The suitcase was filled with ethnic fabric -- and five banknotes, 22 pesos, dated 1943.
There was more money -- a Kennedy half dollar, two dimes, eight pennies.
And, in the last box of notions: two $50 gold pieces, dated 1999, mint in the coin dealer's sleeve. I looked them up -- at the least they are worth least $50 each but more likely they are worth $1000 or more.
On Wednesday Stevens and I met Fred at the storage unit to get the rest of the stuff. I told Fred, "I found some things of value." I gave him Lillian's diploma from Chicago Teachers College, the pesos, the change, and then the gold pieces. His jaw dropped, and then he grinned.
There were seven sewing machines.
#1 Montgomery Ward in sewing cabinet.
#3 Singer 66 treadle. Serial number dates it to 1925.
#4 and #5 Montgomery Ward zig-zag with cams. #5 was never used-- the foot pedal and the accessory box were still in the original plastic wrap. #4 had been plugged in, but the extra feet and bobbins were in the plastic bag. Manual and warranty (good for 30 years!) still in their plastic bags.
Note the ad for this model.
These Japanese-made machines are all-metal and made to last.
(I gave #5 to my next door neighbor who needed a basic sewing machine. This is basic and a little more.)
#6 Admiration -- a Japanese clone of a Singer 15. It has been used a lot. There was a pin-keeper around the arm made out of a cut-off flannel cuff. With a little cleaning and oil I'll bet it's good to go for a long time to come.
#7 Singer. I didn't get the model or serial. Another cam machine, though the cams are missing. All-metal, probably late 60's.
|Lillian did a lot of shopping at Ward's|
And for me? Here's my initial haul. I am NOT going to keep ALL of this -- more sorting to come.
Fred said that Lillian, who never married, taught visually impaired students for the Chicago Public Schools. She used a lot of crafts with her classes.
I will think of Lillian when I use the fabrics from her legacy.