Original cover |
Ginger Pye, by Eleanor Estes (1952)
Jerry Pye is ten
and Rachel Pye is nine. They live with
their parents in Cranbury, Connecticut, halfway between New York and
Boston. Their grandparents live close by
with Uncle Bennie, who is their mother’s younger brother and is just three
years old. Both Jerry and Rachel have
lively imaginations and ambitions. Jerry
wants to be a “rock man” (geologist). Rachel wants to be a “bird man”
(ornithologist) like their father. Jerry
is impulsive and has big ideas. Rachel
takes action and then worries that she’s done the right thing.
Current cover |
Jerry sets his heart on getting a dog and enlists Rachel
in raising the funds to do it. Ginger
Pye the fox terrier becomes a beloved part of the family. When Ginger goes missing everyone is
bereft. (Spoiler alert: Ginger returns!)
There’s enough dramatic tension to keep the story from
becoming treacly-sweet. There are some
seamy characters. In all, this is a warm
family story set in a kinder, gentler era.
(The book was published in 1951. The text doesn’t state it, but one of
the illustrations is a newspaper story dated 1919. Cranbury is West Haven where Estes grew up
and worked as a children’s librarian.)
Though the book was republished with contemporary cover
art, the text still has Estes’ illustrations, which are very amateurish. Why didn’t the publisher commission a
professional artist in the first place?
I remember reading this when I was in grade school but I
mis-remembered the location. All these
years I’ve thought that Maple Hill was in Vermont but actually it’s in
Pennsylvania. That surprised me but it didn’t diminish my enjoyment of the
story.
Marly’s dad was a prisoner of war and returned to
Pittsburgh jittery, prone to dark moods, and unable to work. The war isn’t named. Nor is Dad’s condition, though now we call it
PTSD. It would be best for Dad to have
the peace and quiet of rural life for his recovery so the family opens up the
long-shuttered country house where Marly’s mother spent childhood summers. They arrive in late winter when the maple
sugaring season has just begun. Their genial
neighbor Mr. Chris shows them how he taps the trees and boils the sap to make
maple syrup. “Your great-grandma used
to say there is all outdoors in that smell,” he tells Marly. “She called it the
first miracle when the sap came up.”
Dad stays in the country while Marly, brother Joe, and
Mother return to Pittsburgh. They return for summer vacation to find that Dad
is doing much better – not quite his old self, but on the way – another
miracle. It’s a glorious summer with
adventures and discoveries. They decide
to stay and the children enroll in the local schools. Mr. Chris ends up in the hospital but
recovers (another miracle). And then it
is maple season again: the cycle of
seasons, the cycle of miracles.
The illustrations are by Beth and Joe Krush, one (well,
two) of my favorite illustrators. I love
the detail of their line drawings. (I
can’t help wondering about the untold parts of the story: what was their income
with neither parent working? What did
they do about their city house? The
rural town is somewhere northeast of Pittsburgh, but where, exactly?)
Kids and adults note the references to A Wrinkle In Time, which is Miranda's favorite book. The library copy has a science fiction spine label. I don’t think it’s quite sci fi – rather, just enough alternate reality to get the reader thinking.
Juan’s tone is measured and formal, perhaps because
that’s how we think that people spoke centuries ago and also because he had to
be careful of what he said, just as he had to watch what he did. Though
Velazquez treated him fairly and eventually freed him (thus allowing Juan to be
one of the studio apprentices), he was still his master’s subject.
By Rebecca Stead
Miranda is in
sixth grade. She and her mother live in
an apartment in New York. Sal’s been her
best friend since they were little kids. When he gets punched by the kid across
the street he shuts Miranda out, to her puzzled distress. Meanwhile her mother is preparing to be a contestant
on the $20,000 Pyramid. They’re both dreaming of what they can do with the
prize money. Then Miranda begins to
receive cryptic notes: “I am coming to save your life, and my own.” Who is
sending them and what do they mean?
The book was set in 1979 though it was published in
2009. That reminds me of Sue Grafton’s
Kinsey Milhone mysteries which are also deliberately set in pre-Internet
days. Whether the character is a New
York 6th grader or a California P.I., the extra effort to find out
whatever it is without referring to Google or Wikipedia helps flesh out the
story. It also makes this a
“contemporary historical” story that won’t get dated because it’s already set
in the past.
Kids and adults note the references to A Wrinkle In Time, which is Miranda's favorite book. The library copy has a science fiction spine label. I don’t think it’s quite sci fi – rather, just enough alternate reality to get the reader thinking.
By Elizabeth Borton de Trevino
I remember seeing this book at the library – my hometown
library and all the libraries where I worked. The cover was odd and the text
seemed dense. It just didn’t appeal to me.
In retrospect that’s an odd reaction because I have always enjoyed
historical fiction, especially when it’s based on real people.
Juan de Pareja tells his own story. He is a Moor, born into slavery in 17th
century Spain. When his wealthy mistress dies he become the property of her
cousin. That cousin is Diego Velazquez,
the premier portraitist of Spain and, indeed, of Europe. As the
tale unfolds we learn about the restrictions on slaves. They could not earn
their own money. They could not practice trades outside of their masters’
establishments. Juan discovered he had talent as an artist but he could not
legally exercise it.
Original cover |
The new edition features Enrico Arno’s cover illustration for the
book. It depicts Juan and King Philip of Spain together painting a cross on
Velazquez’s self-portrait. The king’s Hapsburg jaw (a famous congenital malformation) is obvious, now that I
know about that part of history.
This Newbery winner has more appeal for adults than kids.
I like the old cover better than the new one. It is easier to see who the "I" is.
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