Bottom center: a remontant, or re-blooming, iris.
Saturday afternoon: Sterling Clark (1877-1956) was a noted art collector and philanthropist. (His father was Isaac Singer’s business partner.) Clark and his wife Francine invested in Impressionists. (He got a money back guarantee on one Renoir.) The Clark Art Institute opened in 1955.
The original building was the largest order of Vermont marble since the Supreme Court.
Renoir.
John Singer Sargent.
Three different artists. (All the women are facing the same way.)
" Stevens at the Clark." Indeed.
The studio
was moved and oriented the way he had it.
All the Saturday Evening Post covers were in one gallery. The museum also has a gallery for special exhibitions; this time it was "Enchanted: the History of Fantasy Illusration."
Upper right: Melville planted these five spruce trees.
Left: Mt. Greylock. When Melville lived here the land was cleared for farming. Right: Melville sat here when he wrote Moby Dick.
Monday morning: We crossed the border to Bennington,Vermont. The famous Jane Stickle quilt was not on display at the museum but there was plenty more to see. (Photography of the Grandma Moses paintings was not allowed.)
Part 1: Vermont history.
Upper left: these are boys (early 19th century dress). Bottom center: 1855 Wilcox & Gibbs.
Bennington Museum, part 2. Bennington Pottery.
(We are grateful that museums have guest wheelchairs.)
Julius John Lankes' woodcuts illustrated Frost's poems.The story of the quilt.
Monday afternoon: High on a hill above VT 103. Had to stop to take a closer look! Winter worship would have been very, very cold.
Next stop: St. Johnsbury . . .
What a great quilt you found. Amazing the number of well known people there. At this point in your trip we’re you self guiding?
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