Wednesday, October 16, 2024

Midweek: estate sale encore and a flimsy + quilt history books

 Barb M's estate sale began in September, 2023.  Paula and her friends were off in July and this September but were back this month.  And there will be more!   They've raised nearly $25,000 for different charities.  

  Average price $2.20 per yard this time.  You can see why my homespun stash has not diminished.





Not that I am not trying.  Here's the nine/four patch flimsy. 

I have another homespun project underway -- photos to come.


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(Last week I mentioned that a local quilt shop sells gently-used quilt books for $2.00 with the proceeds going to charity.  Reading one of those led to rereading another.) 

Jonathan Holstein wrote Abstract Design in American Quilts: a Biography of an Exhibition in 1991 in conjunction with the 20th anniversary of the landmark Whitney Museum exhibit of 60 quilts from his collection.  That was the first time an art museum displayed quilts hung like paintings.  Critics were awed.   

Holstein was born in 1936, grew up in Syracuse, and went to Harvard. In the 1960's he discovered old quilts at antiques shops, farm houses, and other out-of-the-way places in New England, upstate New York, and Pennsylvania.  He and his partner Gail van der Hoof filled their Manhattan apartment with quilts. They were entranced by the way 19th and early 20th century quilt makers perceived and used colors and shapes.     

The Whitney exhibit opened July 2, 1971, and closed September 12.  From there it went to Paris and Japan. The Smithsonian Traveling Exhibition Service (SITES) used some of the Whitney quilts and others from the Holstein collection for a 21-city tour in 1973-74.   

My observation is that some of the quilts are terrific and some are ho-hum.  So many more quilts have been discovered, documented, and shown since then, many of them magnificent.  It is interesting to read quilt analysis from the art history/critic point of view rather than that of a quilt maker.  

My copy of The Pieced Quilt: An American Design Tradition is a reprint (Galahad Books) of the 1973 publication.   It is not a catalog of the Whitney exhibit but is a follow-up companion.  Holstein elaborates on American quilting development, again with the emphasis on design.  

 In 2003 Holstein donated his collection of quilts and documents to the International Quilt Museum.   The 400 quilts include the 62 from the Whitney exhibition.  Images are in the Quilt Index here.  (It was valued at $2.2 million, quite an increase considering that Holstein and van der Hoof set a budget of $36 per quilt on their buying trips.)   In 2021 IQM  remounted the exhibit for its fiftieth anniversary.   

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Linking up with  Midweek Makers  Wednesday Wait Loss

P. S.  Thanks for the shout out, Jennifer!  

Sunday, October 13, 2024

Weekly update: homespuns + reading

 



Cranes at Sand Pond this afternoon.  My walk was shortened because this strange wet stuff fell from the sky.  Oh, that was rain!   There hasn't been any around here for six weeks.  (And an hour afterward the sun was out again.) 

In my post Friday I alluded to an adventure.  We drove 65 miles to Westmont and took our friend Pat out to lunch.  

Pat was my long-time ALA conference roommate. She lives in a retirement/assisted living community now, and no longer drives. Though we chat by phone often it's been nearly two years since we've visited in person. Now that I've had cataract surgery I can see much better so I'm a more confident driver. 



Friday evening the  Saddle Shoe Sisters sang golden oldies in a concert sponsored by our church.  It was a sing-along for many of us






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 In the studio:  

I'm still working with homespuns.  I found a stack of light-cornered 3.5" nine patches made from homespuns and 'regular' neutrals.  I sewed them with pairs of 3.5" homespuns. That led to making more nine patches and then more blocks and....as of Sunday evening here's the design wall.   An 8 x 9 block setting will be 48 x 54; 3" borders would bring it to 54 x 60.


(I've had the ARC on the shelf since 2018 and took it along on my trip last month. Didn't read it until I got home, though.) 
A hundred years ago aviation was still young but it had made tremenouds progress in just two decades.   Military and commercial flight was becoming more prevalent. But what captured the public's attention was daredevil barnstorming -- brave (foolhardy?) pilots in small aircraft performing at airstrips all across the country. Records were there to be broken -- prizes for the longest, fastest, highest flights. Women were among those pioneers. Amelia Earhart is the best-known but she was hardly alone. Along with Ruth Nichols, Ruth Elder, Louise Thaden, and others they pushed the male establishment to let them fly. Some crashed, some soared, and they contributed immeasurably to aviation.

Linking up with  Design Wall Monday and Oh Scrap!  

P.S.  Heirloom tomatoes from our favorite produce stand.  They're huge and delicious.


Friday, October 11, 2024

Friday check in: swapping the quilts

 


This late-blooming coneflower caught my eye at  Ethel's Woods yesterday afternoon. 


Friday is change-the-sheets day.  This week it's also change-the-quilts.  

I made this in 2006 and had it professionally quilted.  It's been the 'summer' quilt ever since.  There are a few popped seams.  After 18 years I have gotten my money's worth out of it and maybe, just maybe, I can treat myself to a new one.   But for now, back into storage it goes.


This is the 'winter' quilt.  I made it during the 2020 pandemic lockdown and had it quilted. It named itself: Shelter in Place.   The houses have fussy-cut elements of things that inspire me: books, flowers, quilting, and more.  It still makes me smile! 



The back.   


This is my favorite quilt, I think.  I made it in 2008 and it, too, is professionally quilted because back then I was not very confident about my FMQ skills.  I use it as a topper before I add the blanket and comforter to the bedding. 

Yes, there is a quilt for S's bed but he prefers his plain blue L.L. Bean comforter.  Arguing with a person with dementia is not productive, I assure you.

We're off on an adventure today!   

Linking up with Finished or Not Friday  

Wednesday, October 9, 2024

Midweek: a flimsy and piecing fun


What an interesting cloud formation! I took the photo Monday afternoon at Middlefork Savanna



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 I took the Janome to Sew 'n' Save in Racine for an overdue cleaning.  I did not buy any fabric but I came home with some books.   The shop has two bookcases crammed full with quilt books donated by customers. They sell them for $2.00 and give the proceeds to a Wisconsin veterans' project.  






The Quilt Digest is issue #4, 1986.  It has an article by Suellen Meyer with this intriguing snippet.  





Here's the source.  


While the Janome is away Sweetness, the Singer 301, has come out to play.   A few drops of oil and she's humming away.   I paid $75 for her about 20 years ago.  (I also have a Featherweight but it needs a new belt.)   Note to self:  buy a new bottle of sewing machine oil! New machines are self-lubricating so it's not something I have to think about . . . until times like now.



Aunt Vina's Favorite is a flimsy.  6 yards.  











More homespun blocks are in the works.


Linking up with   Wednesday Wait Loss   Midweek Makers





Sunday, October 6, 2024

Weekly update: glorious days, caught up already!, twenty blocks + recent reading

 

Sunshine, sunshine, sunshine!  

Swans at Hastings Lake on Saturday.




Herons at Nippersink on Sunday.


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Natalie Doan of Missouri Star was the guest speaker at the guild meeting Wednesday.  I didn't get any good pictures!   It was fun to hear her side of the family business.  


This is the final month for the guild round robin.  I got right to work and added borders to CB's quilt.  I can't show you the entire flimsy until next month's reveal, but you can see one of the Tula Pink owls that AK added.  






We got the pattern for block #3 of the BOM.  It's the one at the bottom, shown with the previous blocks. 









BTW, this is the quilt for which I bought the background fabric. It was a BOM maybe 20 years ago.  I quilted it some time later and donated it. 


I finished 20 Aunt Vina's Favorite blocks.  They are 12-1/2" unfinished.   The inspiration photo (Jean Wells, Patchwork Made Easy) has 30 blocks set edge to edge like these. I'm going to audition sashing.   


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And on to the reading report.   I took four paperbacks on the trip.  I finished one the first day and gave it to my hostess (who rescued me during the flight delay).   I left two behind, unread (they were advance reader copies) in the London hotel room because I knew I wouldn't get to them.  In the midst of the trip I only read a few pages before turning out the light.  Of course I took a look at the books at the newsstand at DeGaulle airport -- shelves of English as well as French books -- and bought one!  That kept me going on the long flight home.  





A man confronts his grief and loss and learns to trust in love again. A tender story.   




It took a while for me to get into the rhythm of the story but once I did I kept on going.   There was a lot of foreshadowing that made me feel that something unimaginably terrible would happen.   From our 21st century viewpoint the terrible part was the smug superiority that the English colonists felt over the indigenous people.  Narrator Bethia also had to deal with men's domination (again, outrageous to us now).  But I think that Brooks describes how things most likely did happen without overlaying "we know better now."


A richly-imagined, suspenseful story about Lucrezia di Cosimo di Medici. The portrait commissioned by her husband Alfonso, Duke of Ferrara, is likely the model for Robert Browning's "My Last Duchess."


Linking up with other bloggers at Oh Scrap!  Design Wall Monday



P. S.  We do not recall that we have ever eaten pawpaws. A customer gave a basket of them to the proprietor of the produce stand we patronize (see the apples in Friday's post).  She was giving the pawpaws away and I took six.   They're not bad but they're not something we will make a point of seeking out.  

Friday, October 4, 2024

Friday check in: signs of autumn, a quilt show, stash report, and OMG October

 


We've slipped back into our routine with afternoon outings most days.  The weather has been very warm and sunny though severely dry.  




The caregiver took Stevens out last week, too.  Here's a photo from the beach.  


 Our favorite flower/produce stand has apples!  Susan drives to southwestern Michigan every Saturday evening to get them from  Twin Maple Orchard  

We really like Swiss Gourmet and Winter Banana (mid-season).


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We went to the Southport Quilters' annual show/exhibit at the Anderson Arts Center in Kenosha.  (S stayed in the car and enjoyed the view while I went inside.) 

 The Anderson was once a lakefront mansion and is now a gallery.  The show is a month long and it's free.  I have artists' statements for most of these if you want to know more.   











After climbing and descending spiral staircases at the Tower of London and the Arc de Triomphe this one was no problem, either up or down. 

Lower left: view from an upstairs window. 


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Stash report, September:  fabric IN 75 yards, $313, average $4.10/yard  (most of the expense was at the Madison show and most of the aquisition was at an estate sale).

Fabric OUT  18-12/ yards

YTD  in: 1360 yards, $2773, average $2.04/yard. (Imagine if I'd paid full price--$13/yard!) 

YTD out:  745-1/2

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I am sewing!  

Aunt Vina's Favorite blocks. Colorway inspired by a quilt by Jean Wells in a 2003 book.


That leads to OMG for October.  It's going to be a piece-full month because I must take the Janome in for cleaning.    I intended to do that just before the trip but ran out of time.   Sweetness, the Singer 301, is grand for straight stitching.  

What will I piece?  Oh, I have a lot in boxes and bags.  Tune in to see what I come up with!

Linking up with OMG October and Finished or Not Friday 

P.S.  I'll post book reviews next time. 

Tuesday, October 1, 2024

Road Scholar: the Best of London and Paris

 I love to travel but, as many of you know, my husband is no longer able to join me.  Based on the success of my trip to San Diego in June (ALA conference) when he had a 24/7 caregiver, I signed up for the Best of London and Paris with Road Scholar. They offered single travelers the double rate with the understanding that if there was another single we would be roommates.  We again engaged a 24/7 caregiver.

This was my 49th trip with Road Scholar. That includes a number of one-day trips that they offered for a while.  See the tab at the top of the page for the list. 

Thursday, September 19:    I got to O'Hare in plenty of time.  The ORD-BOS flight was delayed two hours because the incoming aircraft had mechanical trouble. It could not be cleared to fly until it was fixed.  That flight touched down in Boston at the same time as the flight to London took off.  

The three other BOS-LHR (Heathrow) flights that night were full.   The Delta Sky Miles Club was on the mezzanine above the gate area.  I am not a member but since I was flying Delta I went in.  The agent rebooked me for 9:05 on Friday.  Delta paid for a hotel room and a Lyft to get there.  I chose a Sheraton Four Points in Wakefield.  Fortunately I was able to reclaim my big suitcase.  

Once at the hotel I called the Road Scholar travel assist company (apparently they handle such things for many tour operators) to inform them.   Liz,  who'd been following my tale on Facebook, called me.  She lives in suburban Boston and we made plans for Friday afternoon.  Before that, on Friday morning, I went ahead and texted the Road Scholar group leader, John, in London.  He promptly called me (it was about 3 p.m. GMT). He said he'd arrange for transport to the hotel and that he'd meet me there.   


What a wonderful way to spend the afternoon.
Liz picked me up  at the hotel and took me to their house and served lunch. I met husband David and daughter Rachel (and Truffle the dog). It was a most-appreciated encounter of the Magpie kind. (Liz’s mom was our dear Celia.) AND she drove me to Logan!

The Magpies made Rachel's quilt with fabric from Celia's stash.

My name was flagged in the Virgin system because they couldn’t accommodate me on any of their three flights the previous night. The supervisor caught me as I entered the jetway and apologized—and changed my center (four seat row) to a window (two-seat row and no seat mate so I could stretch out.  

 Lesson learned:  I let Road Scholar book the flights and accepted that itinerary.  I should have insisted on nonstop ORD-LHR and aisle or window seats. 



Saturday:    

LONDON!!  

All went well. I got to the hotel shortly before 11. Group leader John left the others with the tour guide to meet me. Once I’d checked in and cleaned up a bit he and I took the tube to the pub where the group met for lunch (bangers, mash, and peas—forgot to take a photo). There are 15 in the group. My roommate is Marian from Detroit. After lunch was a free afternoon. Most of us chose a walking tour led by Mike,  the tour guide. Lots of snippets of information.

Our group at the Albert. The pub is the only building on that street that survived the Blitz.


Trafalgar Square, Buckingham Palace, and the guards.

 






Saturday evening was free time.   I took the subway (John told me exactly what lines to take and the transfer point) to St. Martin's Theatre to see The Mousetrap.  It  is the world’s longest running stage production. I went to performance 29,771.  

We got Oyster cards loaded with enough to pay our fares for all subway rides.  So convenient!  Like the Washington, DC, Metro you need to use the card to exit as well as enter.  Why are they called that? I looked it up-- many guesses, nothing definitive.




Sunday morning:  Kensington Palace. We had tea in the Orangery (a fancy greenhouse) and listened to a presentation by Ken Wharfe, bodyguard to Princess Diana. We got tickets to the palace and explored it at our own pace.


Kensington Palace has been a royal residence in London since the 17th century.  Queen Victoria was born at Kensington.  Currently it is the home of the Prince and Princess of Wales. 

  


I thought of Lucy Worsley's Royal Palace Secrets series when I posed on the staircase to the King's chambers.  




Court dress.  Hard to get through doorways, hard to sit down, but just getting to court was the point.      The dress Queen Victoria wore to her first meeting with the Privy Council. It was originally black.   Vest and stockings worn by William III.  Knight of the Garter cloak and accessories. 





Sunday afternoon: free time. After the Kensington Palace tour Mike, our guide, said he would conduct a walking tour for anyone interested. It turned out that I was the only one, so he took me as far as the V & A (which everyone else saw the previous morning).   The museum is huge with all sorts of collections.   I have the book about their quilt collections though none were on display.   

Left; the Cast Courts features plaster-cast models of famous sculptures.  Lower center:  there was a gallery devoted to ceramics and pottery from around the world but case after case of British pieces.   


Left: in a gallery about furniture technology  (gild, bend, pad/upholster, veneer, etc.) there were three Frank Lloyd Wright pieces. The upper right is from the Johnson Wax HQ in Racine -- just a few miles from home. 

I had lunch in the garden court of the V&A—chatted with a couple from Boston. The original one, not ours. I said I’m from Chicago. The man said. “That’s the Bears and the Cubs.” I said we also have the White Sox but they are such an embarrassment this year.

 


After the V&A I walked up Brompton Road to Harrod's.  I went in but really didn’t feel like exploring (I was tired of being on my feet). It is a huge, glamorous department store and I didn’t need to buy anything. 

 



Dinner was on our own.   Marian and I joined Art and Mary Lou.  We four crossed the Tower Bridge and had dinner at a Thai restaurant.  Great meal, lively conversation. We were comfortable talking politics (always a risk when you’ve only just met.)  




There was just enough rain that we broke out our umbrellas but it didn't last.  (I wore my made-for-the-trip batik jacket several times.)   


Monday morning:  group tour of St. Paul’s Cathedral. Its predecessor on the site was a Norman cathedral that needed refurbishing. Sir Christopher Wren got the contract. He erected wooden scaffolding around the old church. That essentially encased it in bonfire fuel and when the Great Fire started just blocks away the church was completely consumed. He then designed this building.  






Among the many memorials at St. Paul's:   Randolph Caldecott was an artist and illustrator. The Caldecott Medal for the best picture book of the year is named for him. (Interestingly, he died and is buried in St. Augustine, Florida.)  


The American Memorial Chapel behind the High Altar honors the American soldiers stationed in Britain who gave their lives in the war.  The stained glass panels have emblems of the then-48 states and territories.  Illinois is the third down.  The names of the soldiers are in the memorial book (searchable here).



On to the National Gallery.  It is huge, it's free, it's mobbed. Only European paintings, no sculpture or other media or other countries.  

The galleries themselves are lavish.  


 

 Vermeer, Leonardo, Rembrandt. 


 

 Impressionists.






Monday afternoon, free time:  the Tower of London with my roommate Marian. I didn’t realize it is so big—a fort is a complex, after all. We saw the Crown Jewels, the tower where the princes were confined (and from which they disappeared), and the ravens.  

We got the acousti-guide (you can see it around our necks) but didn't use them -- we didn't have enough time to listen to the very thorough explanations, and the posted signage was good. 

A friend who saw this photo said they talked with this same beefeater (yeoman warder) when they visited the Tower earlier this summer.

Upper left:  this building houses the Crown Jewels. No photography allowed. Take my word for it, they are beyond exquisite!  The collection comprises not only crowns and tiaras but also ceremonial maces, heraldic trumpets, and golden dishes (including a punch bowl that holds 150 bottles of wine).  You can see them here 

Center: a huge collection of armor for people and horses.

Lower left: where the princes were confined (also Sir Walter Raleigh).   Lower center:  arrow slit.  Lower right:  some of the yeoman warders live in on-site apartments.





The ravens are definitely accustomed to humans.  I got that close to this pair.  

The group had dinner together for the final evening in London.   We were up EARLY Tuesday to go to St. Pancras Station to get the 9:31 Eurostar train to Paris.  That involves going through British customs and then French customs.   We bought lunches at the station to eat on the train.

The  ride was just 2 hours.  Since Paris is an hour ahead so we arrived at 12:30.   

PARIS!!  Our guide Tristan met us at the Gard du Nord.  The touring began with a walk to the Ile de la Cite.


The Hotel de Ville de Paris (Paris city hall), still adorned with Olympic banners.  

 



Monday afternoon:      Notre Dame is set to reopen at the end of the year.  The construction process is an exhibition in itself.  (35 euros to take that tour, which we did not.)

The cathedral was constructed between 1163 and 1260 with subsequent modifications.

 During that time the Palais de la Cite was the royal residence.  Portions of the complex date back to the 6th century.  

After the Louvre became the royal residence it became the Palais de Justice--a federal courhouse--which it remains to today  

King Louis IX commissioned Saint Chapelle to house his collection of crucifixion relics (he paid the emperor of Constantinople the equivalent of half the kingdom's annual budget -- out of pietybut more likely to demonstrate his power). 

It was cloudy that afternoon. Imagine how all this stained glass looks in full sunlight! 

   




Riverside view of the Palais de la Cite showing three early towers. 


 




We walked back to our hotel where our bags had been delivered.  Les Jardins du Marais, on Rue Amelot, is a collection of buildings around a courtyard.  It turned out that there were single rooms available so Marian and I each had our own.   Photo: hotel courtyard.

There were three Road Scholar groups and two other tour groups coming and going while we were there. 


Rainy day Tuesday. We learned how to use the Metro. Unlike the convenient Oyster card for the London tube, the metro uses one-ride tickets.


The Musee d'Orsay was originally the Gare D’Orsay, a railway station. Renovations were completed in 1986. Now it houses French art from 1848-1914. It has the world's largest collection of Impressionists.








We could have spent a day or more—we had a whirlwind tour. You will recognize many of the paintings and certainly the style of familiar artists.




  More Renoir. 


Three Van Goghs and a Gaugin. 







After lunch (braised duck, roast potatoes, and chocolate mousse):  to the Rodin Museum by way of the Hotel des Invalides.  

Louis XIV had it built in 1670 as a hospital for wounded soldiers.  It is now a museum complex for French military history and a shrine for French military leaders.  




The group went to the Rodin.  Marian and I thought we'd have time for both that and the Eiffel Tower but we did not.  The tower has timed entry and we bought our tickets for 3:30.  So we left the group and, thank you Google Maps, we made it well in time.  (Mind you, it was drizzling all the while.)     Tickets to the top were sold out so we got "second floor with lift," meaning an elevator.  Good thing because there are a lot of steps to the second floor.


The Eiffel Tower is BIG and they do crowd control really well.  Still, it was really crowded.  (What must it be like in July?) 





The view from the top level of the second floor.   We could see Olympic venues that are now being dismantled. 





We used Google Maps to tell us what we were seeing from the Eiffel Tower deck. The American Library in Paris was just blocks away so we went there! 

It has been in continuous operation since 1920 as a privately-funded membership library. They get no funding from either the U.S. or French governments.   I learned about it at an ALA conference (2019??) when Janet Skeslien Charles talked about her then-forthcoming (since published) novel The Paris Librarian. The collections and services are like a public library with American books. It is free to visit but membership is required to check out materials.   We were cordially welcomed. I poked around while Marian looked at the new books. 




An American librarian at the American Library in Paris.


We navigated the Metro successfully (including a transfer from one line to another) and had dinner at a restaurant around the corner from our hotel.  There are cafes and restaurants everywhere.  

Thursday morning:  an open-air market on the Blvd Beaumarchais two blocks from the hotel.   The produce, meat, and fish were glorious!   I realize I didn't take photos of the many vendors selling sweaters, scarves, hats, etc., and souvenirs.  

Center: horsemeat.  Lower right: the red berries are currants. I had never seen fresh currants before.


Thursday afternoon:  the Louvre.  It is the largest museum in the world.  The building is a mix of the very, very old (12th century fort), royal residence (14th-16th centuries), and now very modern (I. M. Pei, 1988).  When Louis XIV chose Versailles as his residence the Louvre became a place to house the art collected by the kings.  It opened as a public museum in 1793.    It has 600,000+ objects and 8.9 million visitors annually.


Left:  palace opulence.  Top and bottom right: medieval roots. (The heart is a mason's mark.) Center:  I. M. Pei's pyramid. 



So much to see!  So many people!   





We saw the big draws and a lot more. 


 Venus de Milo, Mona Lisa,  Nike (Winged Victory of Samothrace), the Code of Hammurabi (first written laws, 1755 BC -- cuneiform on basalt).


I had no idea I'd see a second set of crown jewels on this trip. 







 

 Friday morning:   we took the Metro to Montmartre with guide Tristan.  There was a lot of walking, mostly uphill.   Montmartre was once a neighborhood of artists because it was then outside the city limits and cheap.  No longer!   The Sacre Coeur basilica was mobbed. We did not go inside. 


Top:  Moulin Rouge, an urban garden (note rhubarb at lower right).  Bottom:  St. Denis holding his head (one of the martyrs of Montmartre), looking down hill.  



 



"Love locks" on the fences on the terraces going down from Sacre Coeur.  There have been numerous attempts to remove them but they're still there! (And sidewalk vendors are happy to sell locks if you want to add yours.)





After Sacre Coeur we had a free afternoon.   Marian and I walked down the hill to Blvd Rochechouart and had lunch at a little Indian restaurant.  We took the Metro to the Arc de Triomphe.  

Right center:  220 steps to the top (and 220 back down) -- worth it because there are interesting exhibits on the upper level.

Upper left and upper right: honoring the unknown soldier.  Center: looking up from the plaza. There's a camera in the very center so when you're at the top you can look down at the eternal flame.






We walked down the Champs d'Elysees a while before boarding the Metro back to the hotel.  





Friday evening:   our final dinner.   The group was the mix of interesting and interested folks that contribute to enjoyable Road Scholar trips. 

Photo taken at the Thomas Jefferson statue near the Musee D'Orsay.   California, Nevada, upstate New York, Virginia, Michigan, Illinois, Indiana, Ohio, Maryland.   

Saturday:  HOME!    My flight left CDG (Charles de Gaulle airport) at 1 p.m. and arrived in Chicago at 3 p.m. -- eight hours.   The driver pulled into our driveway at 5:30.  Stevens was glad to see me.  The caregiver said things had gone well.  I managed to stay up until 9 p.m. (=4 a.m. Paris time) and conked out.  



I exercised restraint in souvenir/gift purchases.

My refrigerator magnet collection has grown.


Now -- where will I go next?